![]() ![]() In the example above we’ve included the ‘C’ (the root) in the bass clef so that you can hear the chord in context. ![]() Here is another way to spell a C minor 7 chord using the 9th: ![]() ![]() …upper extensions allow us to include other available tones, such as (on minor 7th chords) 9ths, 11ths, or 13ths. So while you might be accustomed to seeing a C minor 7 chord spelled like this… These left-hand comping chords often use upper extensions in the voicing (“voicing” just means the way a chord is spelled). The piano player’s left hand is often comping, which means playing chords rhythmically in a manner that accompanies the player’s right hand. Here is a helpful list of the available upper extensions for major 7th, minor 7th, and dominant 7th chords:Īs you can see, the dominant 7th chord has quite a few altered extensions that can be used, meaning extensions that are either sharped or flatted. But there are some conventional rules that are important to learn because they are so generally and widely used. It’s all about what sounds good to you, what you want the listener to hear, and what sounds you intend to create. Of course you really can use any extensions that you choose. Available upper extensions refer to the particular extensions that can be used on a given chord. ![]()
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